COLLEGE OF MUSIC, VISUAL ARTS AND THEATRE
Personal code as transition
Nostalgia and Gold Coast architecture
Interplay: an investigation of the efficiency of focussed youth playwriting initiatives 1983–1997
Body Art: who, why and where?
Artists’ Books: a series
Nicholas Baudia
Exploration of design concept, development
and implementation: Peter Pan
Ivanov: Australian interpretation
Realities and created ideals: visual media
Encapsulating an environment: magnetising the
Isle
The art of video on art
White on black: a primitive view of “Primitive” art
The Johnsone Gallery: pivotal influence
Lexicon of Australian artists: signatures,
initials and monograms
Archetypal time travellers: the immutable female
European traditions: northern Australian climates
Artists and iron horses
Evaluation of the effectiveness of flexible
course work delivered through CD Rom
The academic experience: the role of peer mentoring
The history and psychology of portraiture
One single journey
Faces of influence: a study of the details
and style in posed formal portrait photography.
Dimensions of an aesthetic
The Processes of image creation
Exploring the potential of computer generated
art
The nature of Ephemon: research into ephemeral work
and communication through visual and verbal documentation
The divided self: evolution of a personal code
of ciphers, symbols and techniques
Kala: journeys in colour and time — an
exploration of the relationship between colour and time, its cosmogonic
and cosmological significance in tantric metaphysical thought and
associated western poetic notions
Profiling service: portraits and people of
Townsville
The Stanislavski System: cultural artefact
or generic principle?
The human figure in space and time
Johann Sebastian Bach: the Suites for Cello
Solo — an exploration of the time warp
Listening and ESL: processes, strategies, monitoring and
metacognition
Exploring images of women: comparative visual
and linguistic representations
Creating conversations into theatre
Conversations: ritual and anarchy in contemporary art
practice
Shaping the creative process through listening
Language and performance
Physiological bases of vocal health and quality
Costuming for Shakespeare’s Romeo
and Juliet: an exploration of the contemporary aesthetic and ideals of
beauty
The role of language in shaping performance
Writing, workshop, rehearsal and performance: collaborative
approaches to creating theatre
Silence and pause in the performance text:
the dialogue of silence in writing for the theatre
Dimensions of an aesthetic
Female sculptors: roles and responsibilities
in the artistic dimension
Focal people: the role of the gallery as an
artistic nerve centre
A case study of theatrical process into product:
the pedagogy of entertainment
A pedagogical analysis of selected Australian composers
for elementary string orchestras
A pedagogical analysis of the six string quartets
by Herman Schroder
An investigation of first year student course
attrition or deviation
Alternative strategies for the tertiary teaching
of piano: models towards the twenty-first century
The development of performance text from biography
The visual arts and religion in Contemporary
society
Significant remembered sites: visual documentation and
research
Shadows of the Archetype
Perception and contemporary portraiture
Cultural infrastructure: the role of the artistic
event
Perspectives in cultural tourism
Early French Violin Sonatas c1690–1730
The private music teacher and the public evaluation system
The relevance of the classical figure in 21st Century Art
Practice
Comparative analysis of the technological and artistic views
facing film makers during the periods 1885–1915 and 1885–2005
Traditional Tools to Digital Tools
Australian textile design influence and the development of
personal style in textile design
Shaped by nature