James Cook University Subject Handbook - 2000

[Contents]

College of Music, Visual Arts and Theatre

Iconography of emerging nations: PNG and Australia
Personal code as transition
Nostalgia and Gold Coast architecture
Interplay: an investigation of the efficiency of focussed youth playwriting initiatives 1983–1997
Body Art: who, why and where?
Artists’ Books: a series
Nicholas Baudia
Exploration of design concept, development and implementation: Peter Pan
Ivanov: Australian interpretation
Realities and created ideals: visual media
Encapsulating an environment: magnetising the Isle
Filmic narrative: biography and autobiography
The art of video on art
White on black: a primitive view of “Primitive” art
The Johnsone Gallery: pivotal influence
Lexicon of Australian artists: signatures, initials and monograms
Archetypal time travellers: the immutable female
European traditions: northern Australian climates
Artists and iron horses
Evaluation of the effectiveness of flexible course work delivered through CD Rom
The academic experience: the role of peer mentoring
The history and psychology of portraiture
One single journey
Faces of influence: a study of the determinants of style in formal portrait photography.
Dimensions of an aesthetic
The Processes of image creation
Exploring the potential of computer generated art
The nature of Ephemon: research into ephemeral work and communication through visual and verbal documentation
The divided self: evolution of a personal code of ciphers, symbols and techniques
The Temptation of St Antony: the evolution and development of the St Antony myth
Kala: journeys in colour and time — an exploration of the relationship between colour and time, its cosmogonic and cosmological significance in tantric metaphysical thought and associated western poetic notions
Profiling service: portraits and people of Townsville
The Stanislavski System: cultural artefact or generic principle?
The human figure in space and time
Johann Sebastian Bach: the Suites for Cello Solo — an exploration of the time warp
Listening and ESL: processes, strategies, monitoring and metacognition
Exploring images of women: comparative visual and linguistic representations
Creating conversations into theatre
Conversations: ritual and anarchy in contemporary art practice
Shaping the creative process through listening
Language and performance
Physiological bases of vocal health and quality
Costuming for Shakespeare’s Romeo and Juliet: an exploration of the contemporary aesthetic and ideals of beauty
The role of language in shaping performance
Writing, workshop, rehearsal and performance: collaborative approaches to creating theatre
Silence and pause in the performance text: the dialogue of silence in writing for the theatre
Dimensions of an aesthetic
Female sculptors: roles and responsibilities in the artistic dimension
Focal people: the role of the gallery as an artistic nerve centre
A case study of theatrical process into product: the pedagogy of entertainment
Traditional tools to digital tools
Shikoku pilgimage
A pedagogical analysis of selected Australian composers for elementary string orchestras
A pedagogical analysis of the six string quartets by Herman Schroder
An investigation of first year student course attrition or deviation
Alternative strategies for the tertiary teaching of piano: models towards the twenty-first century
The art of video on art
Townsville: musical genesis
Filmic narrative: biography and autobiography
The development of performance text from biography
The visual arts and religion in Con
Significant remembered sites: visual documentation and research
Shadows of the Archetype
Perception and contemporary portraiture
Cultural infrastructure: the role of the artistic event


[Contents]